Book trailers — surveyed here last week — are a complicated art form, half-entertainment, half-promotion. Making them appeal to children and teens can be even more challenging.
By Kathleen Sweeney
The big screen success of the Dave Eggers/Spike Jonze adaptation of Maurice Sendak’s Where the Wild Things Are would suggest that producing a book trailer for children would be as simple as producing an HD, live-action adaptation of the original text. No brainer right? Nah. That’s too expensive, challenging, and…well, unlikely (how many children’s publishers do you think have A-list hipster film directors on speed dial?). Instead, many children’s trailers take a ho-hum Ken Burns-style approach, with page-by-page illustration zoom-ins and fly-overs to a kind-hearted voice-over. Yawn, yes. Eureka, no. Though highly visual at its core, and so much amusement in a flip-through at a bookstore, the picture book often eludes effective screen translation.
Chronicle Books comes to the rescue with Press Here by Hervé Tullet. In an era of kid gadgetry and gaming, the simple, finger to paper press-and-point interactivity of its page-turns pops off the computer screen with a big dose of fun factor.
13 Words, a collaboration between Lemony Snicket and Maira Kalman, provides tongue-in-cheek pithiness to an illustrated collection of quirky and mundane words. Like most picture book trailers, the aim is to catch adult viewers (read: buyers), since the archness of this sequence would no doubt sail over the head of a five-year-old.
Marion Bataille‘s ABC3D takes the pop-up book to a whole new level. Capturing a “you are there” playfulness complete with 1930s cartoon era jazz riffs, the trailer elicits a “get me a copy now” mantra. ABC3D is just the kind of book toddlers love to rip apart and grown-ups secretly buy to hide on the top bookshelf. Fave letters in the sequence include the ‘E/F’ amalgam and the psychedelic spinning ‘S’.
For the optimal nerd alert, there’s the science fun of Theodore Gray’s The Elements: A Visual Exploration of Every Known Atom in the Universe, a lush video set to Tom Lehrer’s 1959 epomynous song, “The Elements,” (which we wrote about extensively here). Who knew the periodic table could be so kinetic? And on the iPad, well, let’s just say it plays like a chemistry experiment in action…
Celebrities Wanna Write Children’s Books
With a Terry Gilliam-esque animated trailer for his book Soul Pancake, actor Rainn Wilson (of TV’s The Office) reveals an artier side of his persona, with comedy intact. “Rainn Wilson has an Artgasm” is a live action animation party, with hand-drawn words on crumpled pages unfolding from his mouth. It bodes well for re-watching and piques curiosity about the book, which is dedicated to “The overwhelming experience of viewing, pondering, or discussing a truly fabulous piece of art.”
In a rare case of the children’s book trailer before the book, comedian and SNL alum Jenny Slate co-produced, wrote and voiced Marcel The Shell, an animated video featuring a diminutive, sad sack shell whose pet is a piece of lint attached to a hair leash.
Eight million viral video views later, the project is now scheduled for publication as a bona fide picture book, according to this Publishers Weekly report.
YA Spells “Yay” for Trailers
With a much wider range of promo videos in the Young Adult book category, creative leaps have definitely energized teen media interactivity. New YA book releases include links to some alluring trailers.
The video promo for Ally Condie’s Matched trilogy, a sci-fi dystopia that twists on-line dating into a controlled society spans a deceptively simple 48 seconds and effectively cliff-hangers a desire to read more.
With an indie-rock soundtrack, words flame onscreen against an evocative New York City fast-mo backdrop in Gayle Forman’s Where She Went trailer, which deftly captures a slice of teen angst amid urban mystery.
Cassandra Clare launches a prequel to her series The Mortal Instruments with Clockwork Angel, a video promo embedded with film reel scratches and cosmic gear systems, fire-lit text and London map backgrounds in a high concept entry into a strange Victorian universe.
In a completely different vintage vein, clothing racks and thrift store memorabilia serve as a roving background for questions key-stroked in typewriter font in the promo for Vintage Veronica, a teen novel by Erica S. Perl. Like a lunch break spent nipping into a thrift store, the piece is spare, retro and fun.
Young Adult Trailer Blazers: John Green and Maggie Steifvater
Long-term success in the Young Adult market does not truly pivot on one trailer or another, but is increasingly linked, as in the case of John Green, a successful Young Adult writer with a large YouTube following, to dialoguing with and engaging fans via frequent blog and video posts. In Green’s case, this includes an alternating dialogue with his “vlogbrother” Hank, who provides high intensity repartee. Under the “NerdsUnite” fan moniker, here’s their how-to on how to be a Nerdfighter:
At over 350,000 views, the Green vlogbrothers are obviously populating the world with new recruits and selling many copies of Green’s Looking for Alaska, An Abundance of Katherines and Paper Towns along the way.
While many books aimed at teenage girl readers currently ride the Twilight wave of angsty demon/vampire drama, occasionally creative approaches leap over the photo-based blockbuster wannabes. A stop-motion book trailer created with hundreds of paper cut-outs by Maggie Stiefvater for her novel Shiver takes a subtle slice through to the genre of girl meets wolf-boy.
Trailer innovation continues with her 2009 sequel, Linger:
In addition to offering free downloads of her co-composed songs and sheet music, Stiefvater chronicles the video-making process on her blog. Like Green, Stiefvater has tapped the multiplatform approach for maximum fan interactivity.
The trailer for Before I Fall, a debut teen novel from author Lauren Oliver, holds its own as a piece of eye candy experimental video, with or without the book tie-in. The premise of the book, about a popular girl who dies then has a second chance to return with the wisdom of an afterlife glimpse, captures the speed zone of a-day-in-an-adolescent-life with a sped-up/rewind style that is its own visual wake-up call.
It’s no secret that the most page-transcendent book trailers are visual storytelling collaborations. Emily Greaser www.emly.net is a motion graphics designer and photographer with a penchant for typography. Exquisite graphics, still photos and live footage coalesce in her recent trailer for YA author Jennifer Archer’s book, Through Her Eyes:
Recognizing that “a lot of weight falls on the authors to fund a trailer or make innovations in marketing,” Emily Greaser collaborated with Archer on establishing a visual direction drawn from “thematic elements of the book,” with a three-dimensional tech style based on animated stills and text.
While creatives have a definitive sway with innovation, the marketing team plays a huge role in multiplatform positioning of book trailers to produce buzz-worthy traction. Given the number of trailers out there with minimal views, this part of book science continues to evolve. Stacy Lellos, VP of Marketing for Scholastic Trade describes their approach. “Videos are always part of a larger marketing plan…We try to focus on the big idea behind each and write the best script to showcase a particular book or author.”
Given how teenage readers inhabit the virtual realms of social media, media tie-ins for this demographic have to spark to become viral shareware. And no periodic table exists for that kind of chemistry. According to Maggie Stiefvater, it takes “rubber cement, string, clay, cookie dough, and a little black magic.”
Kathleen Sweeney is a writer, blogger and multimedia producer. She currently teaches courses on pop culture and social media at The New School, New York (www.video-text.com).
SURVEY: Are Book Trailers an Efficient Use of Marketing Dollars?
About the Author
Guest contributors to Publishing Perspectives have diverse backgrounds in publishing, media and technology. They live across the globe and bring unique, first-hand experience to their writing.
Falling Fast by Sophie McKenzie
Author: Sophie McKenzie. Website, Twitter
Published: 1 March 2012 (Simon & Schuster Children's Books)
Buy: Amazon, Kindle, Waterstone's
Source: Borrowed from library.
Plot Summary:(from Waterstone's)
This is life, not a rehearsal...When River auditions for a part in an inter-school performance of Romeo and Juliet, she finds herself smitten by Flynn, the boy playing Romeo. River believes in romantic love, and she can't wait to experience it. But Flynn comes from a damaged family - is he even capable of giving River what she wants? The path of true love never did run smooth...
So I stumbled across this book after typing in "young adult fiction" into my library's online catalogue and looking at the first page of results that came up. This book caught my eye and there was a copy available so I stuck it on hold there and then. Sort of like book roulette!
I'd never read anything by this author before and from the plot summary I was expecting a cheesy teen love story. Whilst some of the elements of the plot are pretty cliche, I was actually taken by surprise by a lot of this book.
River is a hopeless romantic who dreams of playing Juliet in a local boys' school production of the play. She wants to fall in love and be loved in return, whilst her friends are obsessed with sleeping with boys they don't even care that much about. One of my pet peeves in teen fiction is unrealistic or stereotypical portrayals of teenage life but this book felt very real. The characters drink too much and go to parties, sleep with their boyfriends and worry about their body image. River, whilst slightly delusional at times, is totally relatable as a character. I think we've all been the one worrying over every little thing a boy does and what exactly it means!
At the end of the day it is a teen love story and so some parts of this book are going to feel a little twee and predictable, but there was a lot from this book I wasn't expecting. McKenzie explores some pretty tough issues in a sensitive way. Flynn made a really interesting male lead with a lot of depth and you could see why River was so drawn to him. I'm not a huge fan of relationships that involve obsessive girls and unhealthy attitudes towards what's acceptable behaviour for a guy, and at times this book felt like it was crossing that line a tad, but River gained a lot of strength as a character and Flynn really showed development so I ended up enjoying those journeys the characters went on.
This is a really clever little book, with a lot more to it than I was expecting. It's a nice easy read, short book, large font but it doesn't shy away from more controversial issues. I'll definitely look into reading more by this author.
What to read next:Girl, Missing by Sophie McKenzie.
Books like this:Finding Cassie Crazy by Jaclyn Moriarty.